Posts Tagged ‘warp’

some final mini stuff

well, today is the last day of the exhibit. on a total high note, the show recently won a 2010 salt lake city weekly arty award for best sculpture/mixed media exhibition!

a couple good links:

fixes
to follow my previous whine about how i didn’t construct the obstacles in a manner to survive the clumsy feet of the masses, i’ve been meaning to post photos of the fixes and adjustments that super-fab artist, salt lake art center preparator and friend jared steffensen (who also won a 2010 arty!) did for my golf hole in mid august. i’ve wanted to collaborate with jared ever since i first stumbled in to his poor yorick studio years ago, so i’m thrilled with this unexpected collaboration of sorts. thanks, jared!!!

Continue reading

Advertisements

details of a mini green

i’ve been completely remiss in posting these detail shots. these were taken right before the vip opening reception, before the masses attacked. 🙂

Continue reading

all my carpets

nothing like laying on wool carpets wearing blue jeans in 90+ degree sun:

Continue reading

100 sq ft… check!

last night, i finished weaving the square footage needed for the mini golf hole! it was more exciting and relieving than i could have predicted, even though we still have a lot of work to do making hazards and pulling the whole piece together. nevertheless, i poured myself a nice, cold, new belgium mothership wit at the end, sat down to a super delicious dinner of chicken marsala (thank you, lisa!) and basked in the glory for at least an hour afterwards. Continue reading

weaving the bedrock+ water hazard

i’m using a diamond twill for the bedrock:

here it is wrapping up on the front beam:

the warp has four colors:

i’m using an extended herringbone twill + random warp for the water hazard. the orange cord you see below is used for the first few shots to spread out the warp (when you tie it on the front beam, the ends extend in a narrow manner that needs to become regular before weaving). next, i throw a number of shots to get the fabric going, then stop to hemstitch the ends so the fabric doesn’t unravel when i take it off the loom.

mental note: i really need to take the time stamp off the new camera.

studio + pompom flower hazards

the water hazard, core and sand hazard warps measured out, laying on the earth, grass and sky rugs. a memento newspaper from lisa’s evacuation from nashville sums the whole situation up:

skeins of yarn, bags of hemp, baskets of hazards and other mini green ingredients have taken over my dad’s office, which we now call the “studio”:

pompom “flowers” dry on the back porch. they’ve been dipped in a liquid starch solution to stiffen them up a bit. these will form one of the hazards on the grassy stretch of the hole.

how to warp an earthy loom from front to back, abridged

1. tie the bouts you’ve measured to the front beam.

2. sley the reed.

3. thread your heddles:

4. as you’re threading your heddles, tie every ten ends with a knot:

5. tie your knotted ends to the back apron rod.

6. beam your warp (wind it up on the back beam). make sure you pull it tight every few turns, and separate the threads with stiff paper or sticks:

7. tie eight ends at a time to the front apron rod with surgeon’s knots:

6. tighten and re-tighten all your knots to give an even tension over the warp:

7. throw a couple shots of thicker or doubled-up yarn to spread the warp out. these shots will be pulled out in the end:

8. ok: now weave! yalla, indeed!